Nick and I wrote from 1986-90. In his Lucky Baby Retreat House, he produced technically charged pop music and dozens of other styles during these years. Our collaborations change through the years as his source material differs.
These tapes were all recorded in the "Big Blur" and are wildly complex mixes of Nick's thick assemblages of drum machine, processing, keyboards, guitar and more combined with various other sources.
Greyslay"is the stunning Opus work featuring many Nick sources. My idea in 1988 was to create dense sonic stews of the many collaboration tapes Nick has sent me. This is an exhaustive study of Nick that is much different and much more forceful than any of his other works. It amounts to four thirty minute works along with an attractive art series.